Go to page about À JOUR – Zeitgenössische Choreographien: Trailer
Information
DER TOD UND DAS MÄDCHEN / SACRÉ / CECIL HOTEL
Munich Opera Festival
Sunday, 30. June 2019
07:30 pm – 09:30 pm
Prinzregententheater
Duration est. 2 hours · Der Tod und das Mädchen & Sacré (est. 07:30 pm - 08:25 pm ) · Interval (est. 08:25 pm - 08:55 pm ) · Cecil Hotel (est. 08:55 pm - 09:30 pm )
Prices PEE , € 48 /- /- /- /-
#BSBajour
To List of PerformancesCast
DER TOD UND DAS MÄDCHEN
- Choreography
- Edwaard Liang
- Set Design
- Edwaard Liang
- Music
- Franz Schubert
- 2 Solistinnen
- Kristina Lind, Prisca Zeisel
- 1 Solist
- Henry Grey
- 7 Herren
- Matteo Dilaghi, Vladislav Dolgikh, Evgenii Kuznetsov, Andrea Marino, Ariel Merkuri, Dmitrii Vyskubenko, Jan Špunda
SACRÉ
- Choreography
- Yuka Oishi
- Lighting
- Gerry Sterchi
- Music
- Igor Strawinsky
- Tänzer
- Sergei Polunin
CECIL HOTEL
- Choreography
- Andrey Kaydanovskiy
- Dramaturgy
- Richard Schmetterer
- Sound
- Dmitry Cheglakov
- Elisa
- Séverine Ferrolier
- Elisa doubles
- Madeleine Dowdney, Marina Duarte, Elvina Ibraimova, Ziyue Liu, Marta Navarrete Villalba
- Jack
- Jonah Cook
- Prostituierte
- Ksenia Ryzhkova
- Richard
- Jinhao Zhang
- Betty
- Carollina Bastos
- Lobby-boy
- Dustin Klein
- Selbstmörder
- Florian Ulrich Sollfrank
- Soloists and corps de ballet of the Bavarian State Ballet
Media
Go to page about À JOUR - CECIL HOTEL: Videomagazin
À JOUR - CECIL HOTEL: Videomagazin
Go to page about
À JOUR 2019: Bildergalerie
Sacré: Sergei Polunin c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Sacré: Sergei Polunin c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Sacré: Sergei Polunin c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Sacré: Sergei Polunin c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Der Tod und das Mädchen: Ensemble c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Der Tod und das Mädchen: Ensemble c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Der Tod und das Mädchen: Kristina Lind, Henry Grey c) S....
Go to page about
À JOUR 2019: Bildergalerie
Der Tod und das Mädchen: Prisca Zeisel, Henry Grey c) S....
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Jonah Cook c) Ziyue Liu
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Jinhao Zhang c) Ziyue Liu
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Jinhao Zhang c) Ziyue Liu
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Dustin Klein, Séverine Ferrolier c) S. Gherciu ...
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Ksenia Ryzhkova, Jonah Cook c) S. Gherciu ...
Go to page about À JOUR – Zeitgenössische Choreographien: Preview
À JOUR – Zeitgenössische Choreographien: Preview
Learn more
À Jour 2019 is getting devilishly good – three works that examine dance, death and ecstasy from different perspectives. Andrey Kaydanovskiy, who already caused a furore in Munich in 2017 at the first edition of the Young Choreographers with his piece, Discovery, and thrilled audiences with his fresh and modern narrative, has now developed an idea for this summer, which he’s been carrying around with him for some time now – the realisation of a criminal ballet, based on the mysterious murder stories surrounding the notorious Cecil Hotel in Los Angeles. The individual stories are told full of suspense, highly complex and parallel with one another; time is travelled, the lobby is transformed into a hotel room in seconds and we are lead through the protagonists’ lives and deaths. Hold your breath – but not for too long!
Edwaard Liang’s choreography promises to be totally different. The choreographer and artistic director of the BalletMet in Ohio first danced at the New York City Ballet and the Nederlands Dans Theatre, and now effectively employs the experiences he gathered as first soloist in his choreographic work. His style is largely neoclassical and characterised by a sensitive inwardness. For the Bayerisches Staatsballett he will choreograph a world premiere for the second movement of Franz Schubert’s string quartet, Der Tod und das Mädchen, and therewith follows the trail of a centuries-old theme.
With Yuka Oishi it gets transcendental. For her version of Stravinsky’s, Le sacre du printemps, she choreographed a solo entitled, Sacré, which was performed as a world premiere homage in 2018 to the world-renowned Vaslav Nijinsky, and will now be seen as part of À Jour. She choreographed the work especially for star dancer Sergei Polunin, who will be dancing the role in Munich as well. With profound humanity, Yuka Oishi captures the musical radicality that is intensified even more by the content level of a dance-ecstatic opera – and therewith gifts us a little mollification of the madness!
Biographies
First soloist and pointe shoe administration
Séverine Ferrolier, born in Toulon/France, was trained in the Centre de Danse Christiane Espitalier de La Valette. Having graduated, she danced with the ballet at the Opéra de Toulon, the Ballet National de Nancy under the direction of Pierre Lacotte and with the English National Ballet in London. Between 1997 and 2004 she was engaged at Leipzig Ballet under the direction of Uwe Scholz, since 2002 as a first soloist. Scholz created several parts for her like in Bruckner 8, Non, je ne regrette rien and h-Moll-Messe. In 2004 she became a member of the Bayerisches Staatsballett and is since then dancing as a first soloist with the company.
Moreover, Séverine Ferrolier is responsible for the pointe shoe administration since the season 2018/19.
(Information as of January 2019)
Debuts with the Bayerisches Staatsballett
Die Nacht, Pavlova solo (N. Legat)
Marschallin in The Silver Rose (G.Murphy)
1st and 3rd shades-variation in La Bayadère (M. Petipa/P. Bart)
Clémence in Raymonda (R. Barra)
Pas de quatre (L. Jacobson)
2nd pas de deux in Century Rolls (D. Bombana)
Charlotte fiancé of Prince Siegfried in Swan lake (R. Barra)
Odaliske and Gulnara in Le Corsaire (M. Petipa/I. Liška)
Miranda in The tempest (J. Mannes), creation
Große Fuge (H. van Manen)
Pas de deux in the fourth movement in Brahms-Schönberg-Quartett (G. Balanchine)
Adagio Hammerklavier (H. van Manen)
Violakonzert/II (M. Schläpfer), creation
Aus Holbergs Zeit (J. Cranko)
Mother in A Cinderella Story (J. Neumeier)
Woman in blue dress in Les Biches (B. Nijinska)
Aurora in Once Upon An Ever After (T. Kohler), creation
Marguerite in The Lady of the Camellias (J. Neumeier)
Zugvögel (J. Kylián), creation
Henriette in Raymonda (R. Barra)
Bathilde, Myrtha in Gisella-Mats Ek (M.Ek)
Ballerina in Série Noire - A choreographic murder mystery(T. Kohler), creation
Pas de deux in Artifact (W. Forsythe)
Woman 2 in My Ravel: Whichever Way he Looks... (J. Mannes), creation
Lykanion in My Ravel: Daphnis and Chloé (T. Kohler), creation
Lady of the Street in The Taming of the Shrew (J. Cranko)
The Queen Mother in Illusions - Like Swan Lake (J. Neumeier)
Dulcinea in Don Quijote (R. Barra after M. Petipa/A. Gorski, tradition)
Nieves in Don Quijote (R. Barra after M. Petipa/A. Gorski, tradition)
Five Brahms Waltzes In The Manner Of Isadora Duncan (F. Ashton)
The Moor's wife in The Moor's Pavane (J. Limón)
Soloist 2nd suite in Choreartium (L. Massine)
Athena Parthenos in Heroes (T. Kohler)
Lady Capulet in Romeo and Juliet (J. Cranko)
Spiral Pass (R. Maliphant), creation
Manon Lescaut in The Lady of the Camellias (J. Neumeier)
Variation in Paquita (M. Petipa/A. Ratmansky)
For the Children of Yesterday, Today and Tomorrow. A piece by Pina Bausch (P. Bausch)
Berthe in Giselle (P. Wright/M. Petipa)
Mother / The Queen of hearts in Alice´s Adventures in Wonderland (C. Wheeldon)
Countess Lidia Ivanovna in Anna Karenina (C. Spuck)
Dancer in Kairos - Portrait Wayne McGregor (W. McGregor)
Gräfin Sybille in Raymonda (R. Barra, M. Petipa)
The cook in Alice's Adventures in Wonderland (C. Wheeldon)
Elisa in Cecil Hotel (A. Kaydanovskiy)