Go to page about À JOUR – Zeitgenössische Choreographien: Trailer
Information
DER TOD UND DAS MÄDCHEN / SACRÉ / CECIL HOTEL
Munich Opera Festival
Monday, 01. July 2019
07:30 pm – 09:30 pm
Prinzregententheater
Duration est. 2 hours · Der Tod und das Mädchen & Sacré (est. 07:30 pm - 08:25 pm ) · Interval (est. 08:25 pm - 08:55 pm ) · Cecil Hotel (est. 08:55 pm - 09:30 pm )
Prices PEE , € 48 /- /- /- /-
#BSBajour
To List of PerformancesCast
DER TOD UND DAS MÄDCHEN
- Choreographie
- Edwaard Liang
- Kostüme
- Edwaard Liang
- Musik
- Franz Schubert
- 2 Solistinnen
- Kristina Lind, Prisca Zeisel
- 1 Solist
- Henry Grey
- 7 Herren
- Matteo Dilaghi, Vladislav Dolgikh, Evgenii Kuznetsov, Andrea Marino, Ariel Merkuri, Dmitrii Vyskubenko, Jan Špunda
SACRÉ
- Choreographie
- Yuka Oishi
- Licht Designer
- Gerry Sterchi
- Musik
- Igor Strawinsky
- Tänzer
- Sergei Polunin
CECIL HOTEL
- Choreographie
- Andrey Kaydanovskiy
- Bühne und Kostüme
- Karoline Hogl
- Dramaturgie
- Richard Schmetterer
- Soundtrack
- Dmitry Cheglakov
- Elisa
- Séverine Ferrolier
- Elisa doubles
- Madeleine Dowdney, Marina Duarte, Elvina Ibraimova, Ziyue Liu, Marta Navarrete Villalba
- Jack
- Jonah Cook
- Prostituierte
- Ksenia Ryzhkova
- Richard
- Jinhao Zhang
- Betty
- Carollina Bastos
- Lobby-boy
- Dustin Klein
- Selbstmörder
- Robin Strona
- Soloists and corps de ballet of the Bavarian State Ballet
Media
Go to page about À JOUR - CECIL HOTEL: Videomagazin
À JOUR - CECIL HOTEL: Videomagazin
Go to page about
À JOUR 2019: Bildergalerie
Sacré: Sergei Polunin c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Sacré: Sergei Polunin c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Sacré: Sergei Polunin c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Sacré: Sergei Polunin c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Der Tod und das Mädchen: Ensemble c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Der Tod und das Mädchen: Ensemble c) S. Gherciu
Go to page about
À JOUR 2019: Bildergalerie
Der Tod und das Mädchen: Kristina Lind, Henry Grey c) S....
Go to page about
À JOUR 2019: Bildergalerie
Der Tod und das Mädchen: Prisca Zeisel, Henry Grey c) S....
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Jonah Cook c) Ziyue Liu
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Jinhao Zhang c) Ziyue Liu
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Jinhao Zhang c) Ziyue Liu
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Dustin Klein, Séverine Ferrolier c) S. Gherciu ...
Go to page about
À JOUR 2019: Bildergalerie
Cecil Hotel: Ksenia Ryzhkova, Jonah Cook c) S. Gherciu ...
Go to page about À JOUR – Zeitgenössische Choreographien: Preview
À JOUR – Zeitgenössische Choreographien: Preview
Learn more
À Jour 2019 is getting devilishly good – three works that examine dance, death and ecstasy from different perspectives. Andrey Kaydanovskiy, who already caused a furore in Munich in 2017 at the first edition of the Young Choreographers with his piece, Discovery, and thrilled audiences with his fresh and modern narrative, has now developed an idea for this summer, which he’s been carrying around with him for some time now – the realisation of a criminal ballet, based on the mysterious murder stories surrounding the notorious Cecil Hotel in Los Angeles. The individual stories are told full of suspense, highly complex and parallel with one another; time is travelled, the lobby is transformed into a hotel room in seconds and we are lead through the protagonists’ lives and deaths. Hold your breath – but not for too long!
Edwaard Liang’s choreography promises to be totally different. The choreographer and artistic director of the BalletMet in Ohio first danced at the New York City Ballet and the Nederlands Dans Theatre, and now effectively employs the experiences he gathered as first soloist in his choreographic work. His style is largely neoclassical and characterised by a sensitive inwardness. For the Bayerisches Staatsballett he will choreograph a world premiere for the second movement of Franz Schubert’s string quartet, Der Tod und das Mädchen, and therewith follows the trail of a centuries-old theme.
With Yuka Oishi it gets transcendental. For her version of Stravinsky’s, Le sacre du printemps, she choreographed a solo entitled, Sacré, which was performed as a world premiere homage in 2018 to the world-renowned Vaslav Nijinsky, and will now be seen as part of À Jour. She choreographed the work especially for star dancer Sergei Polunin, who will be dancing the role in Munich as well. With profound humanity, Yuka Oishi captures the musical radicality that is intensified even more by the content level of a dance-ecstatic opera – and therewith gifts us a little mollification of the madness!
Biographies
Principal, permanent guest
Sergei Polunin was born in the Ukraine and joined the Royal Ballet School, London, in 2003 aged 13. In 2007 he graduated into the Company as an Artist, was promoted to soloist in 2008, to first soloist in 2009 and to principal in 2010. He resigned from the company in 2012 and joined the Stanislavsky and Nemirowich-Danchenko Moscow Music Theatre as a senior principal. Today he works as a freelance artist and is permanent guest artist for the Bayerisches Staatsballett.
(Information as of Nov 2017)
Awards
- Gold medal at the Prix de Lausanne Ballet Competition (2006)
- Young British Dancer of the year (2007)
- Youth America Grand Prix (2007)
- Nominations for the Critics' Circle Best Male Dancer (2010, 2011)
- Golden Mask (2014)
Repertoire (selection)
Solor and Bronze Idol in La Bayadère (M. Petipa)
Des Grieux in Manon (K. MacMillan)
Prince in The Nutcracker
Prince Florimund in The Sleeping Beauty (M. Petipa)
Prince in Cinderella
Lensky in Onegin (J. Cranko)
Jack in Alice's Adventures in Wonderland (C. Wheeldon)
Prince Siegfried in Swan Lake
Albrecht in Giselle (M. Petipa)
Franz in Coppélia
Basil in Don Quixote
Prince Rudolf in Mayerling (K. MacMillan)
Debuts with the Bayerisches Staatsballett
Albrecht in Giselle (P. Wright/M. Petipa)
Solor in La Bayadère (M. Petipa/P. Bart)
Crassus in Spartacus (Y. Grigorovich)
Petrucchio in Taming of the Shrew (J. Cranko)
Jean de Brienne in Raymonda (M. Petipa/R. Barra)
Franz in Coppélia (R. Petit)