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Das Triadische Ballett / Le Sacre du printemps

Choreography Gerhard Bohner / Mary Wigman · Composer Hans Joachim Hespos / Igor Strawinsky

Thursday, 14. April 2016
07:30 pm – 10:00 pm
Prinzregententheater

Duration est. 2 hours 30 minutes · Triadisches Ballett (est. 07:30 pm - 08:40 pm ) · Interval (est. 08:40 pm - 09:10 pm ) · Sacre (est. 09:10 pm - 09:50 pm )

Ballet Festival Week

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  • Ein TANZFONDS ERBE Projekt

  • In Zusammenarbeit mit den Ballettcompagnien Bielefeld und Osnabrück und der Akademie der Künste, Berlin

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Cast

Das Triadische Ballett

Choreographie
Oskar Schlemmer
Rekonstruktion, Neufassung und Choreographie
Gerhard Bohner
Musik
Hans-Joachim Hespos
Mitarbeit Kostümrekonstruktion und Neufassung
Ulrike Dietrich
Einstudierung
Colleen Scott, Ivan Liška

Le Sacre du printemps

Musikalische Leitung
Myron Romanul
Choreographie
Mary Wigman
Musik
Igor Strawinsky
Bühne und Kostüm
Alfred Peter, Wilhelm Reinking
Rekonstruktion
Henrietta Horn

Die Erwählte
Katherina Markowskaja
Der Weise
Cyril Pierre
Mütterliche Gestalt
Séverine Ferrolier
Zwei Priesterinnen
Freya Thomas, Alexa Tuzil
Ein Liebespaar
Mai Kono, Zoltán Manó Beke
Ein Jüngling
Javier Amo
Chorführerin
Sinéad Bunn
Mädchen mit Krone
Zuzana Zahradníková
  • Soloists and corps de ballet of the Bavarian State Ballet
  • Ensemble of the Bavarian State Ballet II / Junior Company
  • The Munich Symphony Orchestra

Das Triadische Ballett Musik vom Tonträger

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A project by TANZFONDS ERBE


In Cooperation with the Compagnies Osnabrück and Bielefeld and the Akademie der Künste, Berlin

 

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Biographies

Gerhard Bohner was born in Karlsruhe in 1936, where he went to gymnast and dance school between 1954 and 1958 before continuing his studies in the Berlin studio of Mary Wigman, who made a lasting impression on him.

After first professional engagements in Mannheim and Frankfurt/Main between 1958 and 1961, Tatjana Gsovsky invited him to join the Deutsche Oper Berlin as a group member in 1961 and promoted him to soloist in 1964. With Gsovsky's touring company, the Berlin Ballet – describable as dramatic-avantgardistic dance theatre – he was introduced to a variety of different forms of expression and participated in many national and international guest performances. In 1964, Bohner began working independently as a choreographer and went on to win second prize (directly after Pina Bausch) at the Choreographic Competition of the Cologne Summer Dance Academy in 1969. Perhaps his most important group choreography, The Tortures of Beatrice Cenci premiered in 1971. The production toured extensively, thus establishing him as a leading international choreographer.

 

In 1972, and again in 1992, he received the German Critics Association Award. Between 1972 and 1975, he was artistic director of the Tanztheater Darmstadt. He was also artistic director of the Tanztheater Bremen between 1978 and 1981, together with Reinhild Hoffmann, after which he lived as an independent choreographer in Berlin where he collaborated on many occasions with the Academy of Arts. These joint ventures resulted in a series of outstanding soloist pieces which he toured with extensively until shortly before his death.

He died in 1992 in Berlin.

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