Singspiel in three acts
Composer Wolfgang Amadeus Mozart · Libretto by Johann Gottlieb Stephanie d.J.
In German without surtitles
Tuesday, 29. April 2008
07:30 pm – 10:15 pm
Duration est. 2 hours 45 minutes · 1 Interval between 1. + 2. Akt and 3. Akt (est. 09:15 pm - 09:45 pm )
Sold outDownload Cast List (PDF) To List of Performances
- Musikalische Leitung
- Friedrich Haider
- Jonathan Lunn
- Martin Duncan
- Stan Pressner
- Stellario Fagone
- Susan Gritton
- Agnete Munk Rasmussen
- Pavol Breslik
- Kevin Conners
- Peter Rose
- Bassa Selim
- Bernd Schmidt
- Demet Gül
- Bayerisches Staatsorchester
- Chorus of the Bayerische Staatsoper
Media CentreTo List of Performances
A European woman in the hands of Muslim fundamentalists. A western rescue mission goes awry. Execution by the special unit is a foregone conclusion. But: vengeance is nothing - forgiveness everything! Unfortunately only a very few have the greatness of heart to exercise it. Mozart's contribution to the clash of civilizations and a not-to-be-underestimated comedy for music.
Background to the story
This is the tale of Constanze and Belmonte, two young Spaniards of noble birth. Constanze, her English maid, Blonde, and Pedrillo, Belmonte’s servant, fell into the hands of pirates who attacked their ship. The pirates sold their captives at a slave market to Pasha Selim. After month of searching for them in despair, tormented by not knowing what had become of his beloved Constanze and the two servants, Belmonte sets out to find them.
Belmonte has arrived on the distant Turkish shore and approaches the high wall surrounding the seraglio. Here he encounters Osmin, the Pasha’s right-hand man, and questions him about the people he is seeking. Osmin, however, has not the slightest intention of giving this stranger any information whatsoever and sends him on his way.
Belmonte continues to look for a way to get into the seraglio.Through a prison window, he manages to catch a glimpse of Pedrillo. This confirms that Constanze and Blonde are also being held prisoner in the harem.
Pasha Selim has chosen Constanze to be the object of his affections. He visits the harem every day and does everything in his power to persuade her into accepting his suit. Constanze remains steadfast in adamantly refusing to succumb. She has no idea yet that her beloved Belmonte is so near.
Meanwhile, belmonte has disguised himself as an architect an enters the First Courtyard of the seraglio. He teams up with Pedrillo and together they try to get past Osmin into the Second Courtyard.
Osmin has taken a fancy to Blonde, but his persistent advances are met with resistance by the young English woman. The two of them are involved in constant battles of wit, which Osmin just can’t win.
Constanze makes it increasingly difficult for the Pasha to approach her and he finally loses patience. He threatens to punish her if she does not soon accept his suit.
Blonde learns about the plan for their escape from Pedrillo. Before they can put the plan into action, however, they first have to outwit Osmin. Pedrillo manages to persuade Osmin to help him empty a bottle of wine and the latter then falls into a deep sleep. The two couples are able to meet and plan their escape.
Belmonte, still disguised as an architect, smuggles Pedrillo out of the Seraglio and they head for Belmonte’s ship. There they wait for night to fall.
At midnight, Belmonte and Pedrillo row round the coast to the foot of the harem. Pedrillo serenades his Blonde as a signal. Osmin discovers them in the boat and sends a fleet of ships out to capture them again.
The death penalty awaits them, but Pasha Selim decides to forgo revenge and sets the captives free.
© Bavarian State Opera
Premiere of Wolfgang Amadeus Mozart's "Die Entführugn aus dem Serail" on January 15, 2003 in the Nationaltheater
Friedrich Haider studierte an der Wiener Musikakademie und bei Nikolaus Harnoncourt. Von 1991 bis 1995 war er Chefdirigent der Opéra National du Rhin in Strasbourg, von 2004 bis 2011 stand die Oviedo Filarmonia unter seiner Leitung. Von 2012 bis 2016 war er Chefdirigent am Slowakischen Nationaltheater in Bratislava. Er gastierte an zahlreichen Opernhäusern, u. a. in New York, Amsterdam, Barcelona, Venedig, Wien, Dresden und Berlin. Zudem dirigiert er auch Konzerte, u. a. mit dem London Symphony Orchestra, den Göteborgs Symfoniker und der Camerata Salzburg. Seit der Spielzeit 2017/18 ist er Chefdirigent des Musicae Antiquae Collegium Varsoviense. An der Bayerischen Staatsoper dirigierte er u. a. Rigoletto, Norma und Roberto Devereux, Die Fledermaus, Lucrezia Borgia. (Stand: 2017)