Fairy Tale Opera in three pictures -1893

Composer Engelbert Humperdinck · Libretto by Adelheid Wette
In German with English and German surtitles

Thursday, 14. December 2017
06:00 pm – 08:25 pm

Duration est. 2 hours 25 minutes · 1.+2. Bild (est. 06:00 pm - 07:05 pm ) · Interval (est. 07:05 pm - 07:35 pm ) · 3. Bild (est. 07:35 pm - 08:20 pm )

Family Performance: 6 years and older · Children's Introductory Event: 05:15 PM

Prices I , € - /88 /- /56 /- /- /- /9


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Eun Sun Kim
Richard Jones
Set Design
John Macfarlane
Benjamin Davis
Jennifer Tipton
Michael Bauer
Linda Dobell
Anjali Mehra
Stellario Fagone

Peter, Besenbinder
Markus Eiche
Okka von der Damerau
Rachael Wilson
Caroline Wettergreen
Die Knusperhexe
Kevin Conners
Selene Zanetti
Paula Iancic
Echo I
Selene Zanetti
Echo II
Paula Iancic
Echo III
Niamh O’Sullivan
Echo IV
Alyona Abramowa
Echo V
Anna El-Khashem
Kinderchor der Bayerischen Staatsoper
  • Bayerisches Staatsorchester
  • Children's chorus of the Bayerische Staatsoper
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Since its first performance in 1893, Humperdinck's most famous opera Hansel and Gretel has remained constantly popular, becoming over the generations almost synonymous with the first family visit to the opera. "Brother come and dance with me!“ – "Susie, dear Susie" – a dancing brother and sister, the Dew Fairy and the Sandman, the Witch and the parents: a collection of all the fairy tale elements of the 19th century. And yet this is also a tale of hardship, hunger and the desire for abundance with a clear moral: "When the need is greatest, God the Lord puts out His hand!“

And, in Richard Jones' opulent, brilliant setting, it's a real must!


Act One

Hansel and Gretel are alone at home and do not want to do any work. They are hungry and sad about the fact that there is scarcely anything to eat in their home most of the time. Gretel shows her brother the freshly-filled jug of milk with which their mother plans to make a rice pudding in the evening. Both children take several sips of the milk, the level drops increasingly. They are dashing around and dancing when their mother comes home. She is angry and wants to punish the children and while doing so she accidentally knocks the milk jug over and sends the two of them off to collect berries. In despair she bemoans the fact that the family is so poor.

Their father comes home in a good mood. He has had a successful day for once, he is slighty drunk and brings home a bag full of food. He is worried about his children and tells his wife about the witch who bakes children in her oven, turning them into gingerbread children which she then eats. The parents set out to search for their children.

Act Two

Hansel has picked berries and Gretel has woven a wreath of flowers. Hungry still, and acting more wildly, they eat all the berries. They cannot find their way home again. They wander around, lost and frightened. A strange being appears: the sandman, who strews sand in their eyes. Drunk with sleep they say their evening prayer and lie down. They dream.

Act Three

Next morning the children are awoken by another unknown being, who introduces herself as the little dew fairy. They realize that they have both had the same dream. They suddenly come across huge sweets and stuff them in their mouths greedily. With every bite a mysterious voice is heard, Hansel and Gretel think they have just imagined it and continue to eat. They are taken prisoner by the witch, who overpowers them with ever more to eat, Hansel is tied up. The witch plans to bake the children in a huge oven. The children craftily trick the witch and push her into the hot oven. Suddenly numerous children, who have been turned into gingerbread children by the witch, come alive again. The worried parents rush in and everyone is pleased to see each other again and glad about the fact that the witch is dead.

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Premiere of Engelbert Humperdinck's "Hänsel und Gretel" on March 24, 2013 in the Nationaltheater

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Eun Sun Kim studierte in ihrer Geburtsstadt Seoul Komposition und Dirigieren und setzte ihre Ausbildung in Stuttgart fort, wo sie ebenfalls mit Auszeichnung abschloss. Engagements führten sie u. a. an die Semperoper Dresden, die Berliner Staatsoper, an die Opernhäuser von Toulon, Oslo, Stockholm, Kopenhagen, Zürich, Frankfurt, Köln, Wien, London, Marseille und Meiningen. Sie dirigierte dabei u. a. La traviata, Rigoletto, Il barbiere di Siviglia, Madama Butterfly, Ariadne auf Naxos, Carmen, Un ballo in maschera, Lucia di Lammermoor und Der fliegende Holländer. Neben ihrer Operntätigkeit dirigierte sie zahlreiche Konzerte, u. a. mit dem Bergen Philharmonic Orchestra, dem Beethoven Orchester Bonn und dem Philharmonischen Orchester Stuttgart. (Stand: 2018)

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