Melodramma buffo in two acts
Composer Gioachino Rossini · Libretto by Cesare Sterbini
In Italian with German surtitles
Monday, 12. March 2007
07:00 pm – 10:00 pm
Duration est. 3 hours · 1 Interval between 1. Akt and 2. Akt (est. 08:40 pm - 09:10 pm )
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- Musikalische Leitung
- Enrique Mazzola
- Ferruccio Soleri
- Carlo Tommasi
- Ute Frühling
- Stellario Fagone
- Graf Almaviva
- Kenneth Tarver
- Bruno De Simone
- Aleksandra Kurzak
- Franco Vassallo
- Paata Burchuladze
- Christian Rieger
- Rüdiger Trebes
- Cynthia Jansen
- Ein Offizier
- Kenneth Roberson
- Bayerisches Staatsorchester
- Chorus of the Bayerische Staatsoper
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Love, mischief and lies: those were the ingredients Rossini combined in his masterpiece! The story of the most famous hairdresser of all times: Figaro – a sharp-edged razor wielder who can get anyone in a lather … You simply have to witness the incredible rapidity of this music, the brilliant solo numbers and the infectious ensembles. The opera with the most hit tunes!
Count Almaviva has fallen in love with Rosina, the ward of Dr. Bartolo, who keeps her assiduously under lock and key. He secretly sings her a serenade. Almaviva meets Figaro, the Barber of Seville, who performs the tonsorial duties in Bartolo's home. Figaro tells the count that the old, penny-pinching Bartolo wants to marry Rosina so he can get his hands on her inheritance.
Rosina appears on the balcony. She intentionally drops a little note, which tells Almaviva that she would like to find out something more about her admirer.
When Bartolo goes out, the count presents himself to Rosina as Lindoro and proposes marriage to her. Almaviva gives Figaro a bribe to enlist the barber's support toward winning Rosina's hand. Figaro advises Almaviva he can get into Bartolo's house disguised as a soldier.
Rosina is longing for Lindoro and writes him a letter. Bartolo returns and receives a visit from Don Basilio, the music teacher. He warns Bartolo that Count Almaviva is abroad and has taken an interest in Rosina. Basilio also knows a way to drive the count out of town: slander.
Figaro has listened into their conversation and tells Rosina about their conspiracy. She gives him a love letter for Lindoro.
Bartolo finds ink on Rosina's hands, and notices that a sheet of letter paper is missing, which has aroused his suspicions.
Almaviva appears in Bartolo's house as a drunken soldier. He reveals himself to Rosina as Lindoro. Bartolo summons the guard to help him keep Almaviva from being quartered in his home. When they arrive, their commanding officer refuses to arrest Lindoro, having been tipped off about the situation, which triggers some general befuddlement amongst the others.
Almaviva reappears at Bartolo's house, this time as music teacher Don Alonso, who says he is filling in for the indisposed Don Basilio. Rosina recognizes the disguised Lindoro immediately. The suspicious Bartolo doesn't take his eyes off them. Lindoro wins his confidence when he gives him a letter from Rosina to Almaviva, revealing their secret connection. A music lesson is improvised, which calms Bartolo down, but he has no time for the modern style of music Alonso and Rosina are performing, whereupon he struts his stuff in a piece from his own youth.
Figaro arrives to give Bartolo a shave, taking advantage of the situation to purloin Bartolo's balcony key.
Unexpectedly the allegedly ill Basilio arrives, but with the aid of a well-filled purse from the count, he willingly departs from the scene.
Figaro and Almaviva plan to abduct Rosina at midnight. Rosina enthusiastically agrees to the plan, because she wants to go off with her beloved Lindoro. Bartolo suspects a plot and chases them away. He sends Basilio to the notary to prepare his wedding with Rosina. Then Bartolo slanders Lindoro to Rosina. He claims, showing her the letter Alonso/Lindoro had given him, that Lindoro is planning to turn her over to Almaviva.
The appalled Rosina then agrees to marry Bartolo and tells the old man of the plan to abduct her. Bartolo scurries off to alert the guard.
During a thunderstorm, the count and Figaro get into the house over the balcony. Almaviva then reveals his true identity to the reluctant Rosina.
Basilio returns with the notary and thwarts the escape of the three conspirators. A bribe helps Figaro convince Basilio to change sides and witness the wedding, whereupon a marriage contract between Rosina and the count is signed. The count turns over Rosina's dowry to the duped Bartolo as compensation.
English translation by Donald Arthur
© Bayerische Staatsoper
wurde in Barcelona geboren und studierte Dirigieren und Komposition am Conservatorio “Giuseppe Verdi” in Mailand. Von 1999 bis 2003 war er Künstlerischer und Musikalischer Direktor des Festivals in Montepulciano, wo er Aufführungen u.a. von Le nozze di Figaro, Così fan tutte und Dido and Aeneas leitete. Seither dirigierte er an zahlreichen europäischen Opernhäusern, u.a. La traviata an der Norske Opera in Oslo und Martín y Solers Una cosa rara an der Stuttgarter Staatsoper. Des weiteren leitete er Opernproduktionen bei wichtigen Festivals, etwa beim Rossini Festival in Pesaro und beim Wexford Festival sowie Verdis Falstaff beim Festival von Aix-en-Provence. Darüber hinaus hat er sich als Dirigent zeitgenössischer Musik einen Namen gemacht und dirigierte u.a. die Uraufführung von Alberto Collas Il processo an der Mailänder Scala. An der Bayerischen Staatsoper leitet er die Uraufführung von Arnaldo de Felices Medusa.