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Opera in four pictures

Composer Giacomo Puccini · Libretto by Giuseppe Giacosa and Luigi Illica
In Italian with English and German surtitles

Tuesday, 23. December 2003
07:30 pm – 10:10 pm
Nationaltheater

Duration est. 2 hours 40 minutes · 1 Interval between 1. + 2. Bild and 3.+ 4. Bild (est. 08:35 pm - 09:10 pm )

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Cast

Musikalische Leitung
Jun Märkl
Inszenierung
Otto Schenk
Bühne und Kostüme
Rudolf Heinrich
Chöre
Stellario Fagone

Mimì
Angela Marambio
Musetta
Margarita De Arellano
Rodolfo
Zoran Todorovich
Marcello
Martin Gantner
Schaunard
Christian Rieger
Colline
Steven Humes
Parpignol
Manolito Mario Franz
Benoît
Alfred Kuhn
Alcindoro
Gerhard Auer
Ein Zöllner
Rüdiger Trebes
Sergeant der Zollwache
Kaiser N'Kosi
  • Bayerisches Staatsorchester
  • Chorus and children's chorus of the Bayerische Staatsoper

Besetzung für alle Termine

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Heartache, heartbreak, the whole nine yards – four starving artists – love in a shabby attic loft – the swank boulevards where people live life with a capital "L", but Mimi is destined to die. Her tiny hand: ice cold! Otto Schenk's incredibly opulent, eternally valid production continues to fascinate audiences. All of Paris is magically transported onto the stage here.  So beautiful you could cry!

 

Act I
Poet Rodolfo and painter Marcello are sitting in their cold garret on Christmas Eve, freezing, hungry and flat broke as usual. To warm up the room just a little, Rodolfo burns a play script he had been working on. Downtrodden, Colline the philosopher returns home after finding the pawnshop closed for the holidays. Musician Schaunard, the final member of this quartet of friends, has been a bit more successful. He brings along food, wine and some money. The initially glum mood rapidly turns into one of great exuberance.

This, however, is rapidly interrupted by the arrival of the landlord Benoit, who demands his back rent. The friends give him some wine, causing the old man to forget the rent in his alcoholic haze and begin recounting tales of his romantic adventures. In a spasm of feigned outrage over the old man's "immorality" the four friends throw him out. Now they decide to continue partying at the Café "Momus". Only Rodolfo remains behind to complete a magazine article he is writing. At this point Mimí, their neighbor, appears and asks if she might relight her candle, which the wind had blown out. As Mimí is about to go, she loses the key to her room. Rodolfo, who has fallen in love with her, finds the key but doesn't tell Mimí. They tell one another the story of their lives and confess their love for one another.

Act II
In the Quartier Latin, outside the Café "Momus", colorful activity dominates the scene. Musetta, Marcello's former lover, show up with an elderly new admirer by the name of Alcindoro. When Musetta and Marcello lay eyes on one another again, their former love reawakens. Claiming to need a new pair of shoes that very minute, Musetta gets rid of her companion. The arrival of guard draws a huge crowd to the square. The friends take advantage of the confusion to disappear with the girl. When Alcindoro returns he has no alternative but to pick up the bill for everybody.

Act III
On a cold winter morning, Mimí comes to an inn on the edge of Paris to talk to Marcello, who is painting there. She is tortured by a terrible fit of coughing. She asks Marcello to help her, because Rodolfo has walked out on her, claiming jealousy. Rodolfo, however, tells his friend the real reason for what he did. He has left Mimí because he knows she is incurably ill, and he is too poor to look after her properly. Mimí, who has been listening in to this conversation steps out of her hiding place. Now she knows that she is doomed to die, and sadly bids him farewell. Marcello has meanwhile gotten into an argument with Musetta, who finally goes running off in a fury.

Act IV
Back in the garret, Rodolfo and Marcello are together again. They try to work, struggling to conceal their longing for Mimí and Musetta. Schaunard and Colline serve up a sparse meal, which nevertheless turns into some fairly merry pranks. Then Musetta appears with the terminally ill Mimí. All attempts to save her are in vain. While Rodolfo gathers new hope as they wait for the doctor, the friends notice that Mimí has already passed away. As it becomes clear to Rodolfo, he hurls himself despondently on the corpse of his beloved.

English translation by Donald Arthur

© Bayerische Staatsoper

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Premiere of Giacomo Puccini's "La bohème" on June 14, 1969 in the Nationaltheater

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Biographies

geboren in München, unterrichteten ihn seine Eltern schon im Alter von vier Jahren Geige und Klavier. Nach Diplomen in Klavier und Dirigieren an der Musikhochschule  Hannover  setzte er seine Studien bei Sergiu Celibidache in München und Gustav Meier an der University of Michigan, Ann Arbor fort. 1986 gewann er den Dirigentenwettbewerb des Deutschen Musikrates. Im folgenden Jahr erhielt er ein Stipendium des  Boston Symphony Orchestras, um bei Leonard Bernstein und Seiji Ozawa zu studieren.Ab September 2005 wird Jun Märkl als Directeur Musical das Orchestre National de Lyon leiten. Von  1991-94 war er Generalmusikdirektor am Staatstheater Saarbrücken, zwischen 1994 und 2000  Operndirektor und Generalmusikdirektor am Nationaltheater Mannheim. Jun Märkl ist häufiger Gastdirigent an vielen bekannten Opernhäusern der Welt wie der  Wiener Staatsoper, der Semperoper Dresden, der Deutschen Oper Berlin, des London Royal Opera House Covent Garden, der New York Metropolitan Opera, der San Francisco Opera und des New National Theatre Tokyo, wo er im April 2004 eine vierjährige Zusammenarbeit mit dem Regisseur Keith Warner für eine Neuproduktion von Wagners Ring des Nibelungen beendete. Ein Vertrag als ständiger Gastdirigent verbindet ihn mit der Bayerischen Staatsoper München.Gleichermaßen pflegt Jun Märkl eine intensive Karriere als Konzertdirigent. Seit 1997 gastiert er regelmässig bei dem NHK Symphony Orchestra Tokyo. In den letzten Jahren arbeitete er unter anderem mit dem Orchestre de Paris und dem Orchestre Philharmonique de Radio France, dem Chicago, Boston,Saint Louis und Dallas Symphony Orchestra, den Sinfonieorchestern von Montreal, Melbourne, Hamburg NDR, Stockholm, den Münchner Philharmonikern und dem Copenhagen Radio Sinfonieorchester. Neben einem breiten Opern- und Konzertrepertoire hat  Jun Märkl eine Vielzahl von Werken zeitgenössischer Komponisten auf- oder uraufgeführt.Dirigate an der Bayerischen Staatsoper: La traviata, Aida, Madama Butterfly, Peter Grimes, Die verkaufte Braut, Die Walküre, Tannhäuser, Salome, Der Rosenkavalier, Tosca, Lohengrin, Le nozze di Figaro, Pique Dame, Das schlaue Füchslein.

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