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Composer Gioachino Rossini · Augustin Eugène Scribe and Charles-Gaspard Delestre-Poirson
In French with German surtitles
Friday, 17. April 2015
07:00 pm – 09:40 pm
Cuvilliés-Theater
Duration est. 2 hours 40 minutes · 1. Akt (est. 07:00 pm - 08:10 pm ) · Interval (est. 08:10 pm - 08:40 pm ) · 2. Akt (est. 08:40 pm - 09:40 pm )
Introductory Event: 06:00 PM
Prices CE
Premiere at 12. April 2015
Cast
- Musikalische Leitung
- Oksana Lyniv
- Inszenierung
- Marcus H. Rosenmüller
- Bühne
- Doerthe Komnick
- Kostüme
- Sophia Dreyer
- Licht
- Michael Bauer
- Produktionsdramaturgie
- Daniel Menne
- Chor
- Sören Eckhoff
- La Comtesse
- Anna Rajah
- Isolier
- Marzia Marzo
- Dame Ragonde
- Rachael Wilson
- Le Comte Ory
- Petr Nekoranec
- Raimbaud
- Evgenij Kachurovsky
- Le Gouverneur
- Leonard Bernad
- Alice
- Maria Pitsch
- Coryphée I
- Andreas Smettan
- Coryphée 2
- John Carpenter
- Chor
- Extrachor der Bayerischen Staatsoper
- Bayerisches Staatsorchester
The Opera Studio of the Bayerische Staatsoper
Extra Chorus of the Bayerische Staatsoper
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The young Ory is a player, well-accustomed to risk-taking, which is most apparent in his romantic exploits. This time, the target of his seductive prowess is the cool and austere Adèle. Having vowed to live a life of chastity she rejects his amorous advances.
Ory employs all means at his disposal to win her heart and it does not take long for her to succumb to his charms. Adèle and the other characters with her, discover the thrill of seduction and being seduced. Ory's maxim, to enjoy life to the full, collides violently with the state-sanctioned moral expectations regarding love and fidelity, but in Le Comte Ory, Gioacchino Rossini takes a clear stance: his final comedy is a sensually anarchic exhortation to engage in sex, drugs and rock 'n' roll.
Biographies
Oksana Lyniv, geboren in Brody/Ukraine, studierte Dirigieren u. a. an der Hochschule für Musik Carl Maria von Weber in Dresden. Von 2008 bis 2013 war sie stellvertretende Chefdirigentin am Akademischen Nationaltheater Odessa. Als Dirigentin leitete sie u. a. Opernaufführungen an der Estnischen Nationaloper und der Oper Bonn. Von 2013 bis 2017 war sie an der Bayerischen Staatsoper als Assistentin des Generalmusikdirektors Kirill Petrenko engagiert. Hier dirigierte sie u. a. La clemenza di Tito, Ariadne auf Naxos, Greek und Lady Macbeth von Mzensk. 2015 debütierte sie an der Kungliga Operan in Stockholm mit Der Nussknacker, es folgten weitere Debüts u. a. am Gran Teatre del Liceu in Barcelona (Der fliegende Holländer). Seit der Spielzeit 2017/18 ist sie Chefdirigentin der Oper Graz. (Stand: 2019)