Information

Favola in musica

Composer Claudio Monteverdi · Alessandro Striggio
In Italian with German surtitles

Sunday, 27. July 2014
06:00 pm – 07:50 pm
Prinzregententheater

Duration est. 1 hours 50 minutes

Prices PAA

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Cast

Musikalische Leitung
Ivor Bolton
Inszenierung
David Bösch
Bühne
Patrick Bannwart
Kostüme und Video
Falko Herold
Licht
Michael Bauer
Dramaturgie
Rainer Karlitschek
Chor
Tim Brown

Orfeo
Christian Gerhaher
Euridice
Anna Virovlansky
Messagiera
Anna Bonitatibus
Proserpina
Anna Bonitatibus
Caronte
Andrea Mastroni
Speranza
Angela Brower
La Musica
Angela Brower
Plutone
Andrew Harris
Apollo
Mauro Peter
Pastore I
Mathias Vidal
Pastore II
Jeroen de Vaal
Pastore III
Gabriel Jublin
Pastore IV
Thomas Faulkner
Spirito I
Mathias Vidal
Spirito II
Thomas Faulkner
Spirito III
Jeroen de Vaal
Ninfa
Lucy Knight
Echo
Jeroen de Vaal
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Despite some precursors, the first performance of Monteverdi's L’Orfeo in Mantua in 1607 marked the start of the success story of opera. And – the history of opera starts with the rebellion of an artist who cannot accept the death of his wife. The singer Orfeo attempts and achieves the impossible: the gods allow him to take his wife Euridice back to the land of the living, thanks to his beguiling song, which appeals to every sense. Yet he fails, he fails as a human being. But the possibility and the hope remain that the singer can break down every boundary with his art, time and again – and today?

 

Music has come from the sources of the Permessos into a region bearing the mark of destruction in order to tell the story of the famous singer Orfeo, a story intended to bring courage and hope to wounded souls.

To this end the place is transformed into an arcadia of flowers in which shepherds and nymphs plan to celebrate the wedding of Orfeo and Euridice now that the latter has finally yielded and agreed to marry Orfeo.

However a messenger interrupts the happy singing with a dreadful piece of news: Euridice has been bitten by a snake and died. At the sight of  Euridice’s corpse Orfeo decides that he will not allow his beloved simply to descend into the underworld. He intends to follow her there. He is accompanied by music, who personifies hope for Orfeo.

But Caronte refuses to allow him to enter the kingdom of the dead so Orfeo, buoyed by hope, tells of his misfortune and begs the gods of the underworld to return Euridice to him. It is, however, only after Caronte has fallen asleep that Orfeo succeeds in entering Hades. A chorus of spirits rejoices.

Proserpina and Plutone  argue. Moved by Orfeo’s singing, Proserpina  persuades her husband to grant Orfeo’s request. Plutone, however, only agrees on one condition: on the way back to the world of the living Orfeo must not turn around to look at Euridice. But Orfeo fails to comply. When he hears a tremendous noise, Orfeo turns to look at his wife, who must now stay in the underworld forever.

Orfeo’s sorrow is boundless, not even the memories of his wedding celebration provide consolation. Even Apollo’s suggestion that he should accompany him to Heaven seems to Orfeo to offer no prospects. He dies, marked by his suffering.

Music is left alone with her memories of Orfeo and Euridice.

Premiere of Claudio Monteverdi's "L'Orfeo" on July 20, 2014 in the Prinzregententheater

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Biographies

Ivor Bolton studierte am Royal College of Music und am National Opera Studio in London. Anschließend war er Musikdirektor der English Touring Opera, der Glyndebourne Touring Opera und des Scottish Chamber Orchestra. Gastdirigate führten ihn u. a. nach Wien, Zürich, Frankfurt, Paris, London, New York, Amsterdam, Dresden, Leipzig und Barcelona sowie zu den Festspielen in Glyndebourne, Aix-en-Provence und seit 2000 jährlich nach Salzburg. Von 2004 bis 2016 war er Chefdirigent des Mozarteum-Orchesters Salzburg. Derzeit ist er musikalischer Leiter des Dresdner Festspielorchesters, seit 2015 außerdem Musikdirektor am Teatro Real in Madrid und seit 2016 Chefdirigent des Sinfonieorchesters Basel. (Stand: 2019)

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