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Japanese tragedy in three acts - 1904

Composer Giacomo Puccini · Libretto by Luigi Illica and Giuseppe Giacosa
In Italian with English and German surtitles

Saturday, 11. March 2006
07:30 pm – 10:25 pm
Nationaltheater

Duration est. 2 hours 55 minutes

Open ticket sales

#BSObutterfly

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Dates & Tickets

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Cast

Conductor
Jun Märkl
Production
Wolf Busse
Set Design
Otto Stich
Costume Design
Silvia Strahammer

Cio-Cio-San
Miriam Gauci
Suzuki
Daniela Sindram
B. F. Pinkerton
Tito Beltrán
Kate Pinkerton
Jana Kurucová
Sharpless
Christian Rieger
Goro Nakodo
Peter Marsh
Der Fürst Yamadori
Francesco Petrozzi
Onkel Bonzo
Steven Humes
Yakusidé
Rüdiger Trebes
Der Kaiserliche Kommissär
Nikolay Borchev
Der Standesbeamte
Gerhard Auer
Die Mutter der Cio-Cio-San
Chorsolo
Die Base
Chorsolo
Die Tante
Chorsolo
  • Bayerisches Staatsorchester
  • Chorus of the Bayerische Staatsoper

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The U.S. Forces show their presence world-wide: American Lieutenant Pinkerton has an affair in Nagasaki with Cio-Cio San, "Madame Butterfly". He sails away. She then has his child. Three years later he returns to Japan – accompanied by his American wife and wants to take the child with him. Butterfly commits suicide.

 

Act I

The U.S. naval officer Pinkerton, along with a marriage broker named Goro, comes to inspect a house near Nagasaki he has bought to live with the geisha Butterfly, whom he plans to marry according to Japanese law. This law however allows him to abandon his wife whenever he feels like it. He casually brushes off the warnings of the American Consul Sharpless, who has told him that Butterfly takes love and marriage very seriously. Before Butterfly appears, he drinks a toast "to a future marriage with a genuine American woman". Butterfly now appears with her friends, attended by members of her family. Hardly has the marriage ceremony ended when Butterfly's uncle arrives and curses the girl for having renounced the faith of her ancestors. Cast out by all the others, all Butterfly has left is her great love.

Act II

Three years have passed. After a brief period of happiness, Pinkerton has left Butterfly. She lives with her servant Suzuki, confidently waiting for her husband's return, although she has not received a single sign of life from him. The consul comes to visit Butterfly. He explains to her that Pinkerton will never return. He cannot bring himself to tell Butterfly that he has married an American woman. Then she triumphantly shows him Pinkerton's child. Sharpless leaves the house after advising her to marry the rich Yamadori who has been courting her. She however feels bound to Pinkerton and refuses. Then the cannon in the harbor goes off. Butterfly recognizes Pinkerton's vessel. Full of hope, she decorates the room and waits in her bridal gown for her beloved.


Act III

Morning dawns. Butterfly has been waiting in vain all night. Finally she goes into the next room with the child in her arms to get a little rest. Pinkerton and Sharpless arrive. Suzuki finds out the whole story. Lamenting, she promises to prepare Butterfly for the worst. Full of remorse, Pinkerton goes running off. Awakened by the sound of the voices, Butterfly returns to the room: full of hope she looks for Pinkerton. Suddenly a strange woman appears. Butterfly discovers the truth from Sharpless. As if this weren't enough - they want her to turn over her child. All that remains for Butterfly is death.


English translation by Donald Arthur

© Bavarian State Opera

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Premiere of Giacomo Puccini's "Madama Butterfly" on June 5, 1973 in the Nationaltheater 

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Biographies

Daniela Sindram , geboren in Nürnberg, studierte Gesang in Berlin und Hamburg. Nach ersten Engagements am Theater Bremen und am Nationaltheater Mannheim war sie von 2003 bis 2009 Ensemblemitglied der Bayerischen Staatsoper. Sie gastierte u. a. an der Opéra national de Paris, dem Royal Opera House Covent Garden in London, dem Teatro alla Scala in Mailand, der Metropiltan Opera in New York, der Wiener Staatsoper, der Deutschen Oper Berlin, der Semperoper Dresden sowie bei den Bayreuther Festspielen. Ihr Repertoire umfasst Partien wie Hänsel (Hänsel und Gretel), Dorabella (Così fan tutte), Charlotte ( Werther), Kundry (Parsifal), Brangäne (Tristan und Isolde), Venus (Tannhäuser), Komponist (Ariadne auf Naxos) und Nicklausse/La Muse (Les Contes d’Hoffmann). Partie an der Bayerischen Staatsoper 2016/17: Prinz Orlofsky (Die Fledermaus).

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