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Japanese tragedy in three acts - 1904
Composer Giacomo Puccini · Libretto by Luigi Illica and Giuseppe Giacosa
In Italian with English and German surtitles
Monday, 13. November 2006
07:30 pm – 10:25 pm
Nationaltheater
Duration est. 2 hours 55 minutes
Open ticket sales
#BSObutterfly
Download Cast List (PDF) To List of PerformancesDates & Tickets
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October 2020
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Friday 16
Opera · 07:30 PM · Nationaltheater
MADAMA BUTTERFLY
Prices K , € 132 / 115 / 95 / 74 / 52 / 30 / 14 / 10 -
Sunday 18
Opera · 07:00 PM · Nationaltheater
MADAMA BUTTERFLY
Prices K , € 132 / 115 / 95 / 74 / 52 / 30 / 14 / 10 -
Friday 23
Opera · 07:30 PM · Nationaltheater
MADAMA BUTTERFLY
Prices K , € 132 / 115 / 95 / 74 / 52 / 30 / 14 / 10
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Cast
- Conductor
- Frédéric Chaslin
- Production
- Wolf Busse
- Set Design
- Otto Stich
- Costume Design
- Silvia Strahammer
- Cio-Cio-San
- Angela-Maria Blasi
- Suzuki
- Heike Grötzinger
- B. F. Pinkerton
- Zoran Todorovich
- Kate Pinkerton
- Anaïk Morel
- Sharpless
- Franco Vassallo
- Goro Nakodo
- Peter Marsh
- Der Fürst Yamadori
- Christian Rieger
- Onkel Bonzo
- Steven Humes
- Yakusidé
- Rüdiger Trebes
- Der Kaiserliche Kommissär
- Nikolay Borchev
- Der Standesbeamte
- Gerhard Auer
- Die Mutter der Cio-Cio-San
- Chorsolo
- Die Base
- Chorsolo
- Die Tante
- Chorsolo
- Bayerisches Staatsorchester
- Chorus of the Bayerische Staatsoper
Media
To List of Performances
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The U.S. Forces show their presence world-wide: American Lieutenant Pinkerton has an affair in Nagasaki with Cio-Cio San, "Madame Butterfly". He sails away. She then has his child. Three years later he returns to Japan – accompanied by his American wife and wants to take the child with him. Butterfly commits suicide.
Act I
The U.S. naval officer Pinkerton, along with a marriage broker named Goro, comes to inspect a house near Nagasaki he has bought to live with the geisha Butterfly, whom he plans to marry according to Japanese law. This law however allows him to abandon his wife whenever he feels like it. He casually brushes off the warnings of the American Consul Sharpless, who has told him that Butterfly takes love and marriage very seriously. Before Butterfly appears, he drinks a toast "to a future marriage with a genuine American woman". Butterfly now appears with her friends, attended by members of her family. Hardly has the marriage ceremony ended when Butterfly's uncle arrives and curses the girl for having renounced the faith of her ancestors. Cast out by all the others, all Butterfly has left is her great love.
Act II
Three years have passed. After a brief period of happiness, Pinkerton has left Butterfly. She lives with her servant Suzuki, confidently waiting for her husband's return, although she has not received a single sign of life from him. The consul comes to visit Butterfly. He explains to her that Pinkerton will never return. He cannot bring himself to tell Butterfly that he has married an American woman. Then she triumphantly shows him Pinkerton's child. Sharpless leaves the house after advising her to marry the rich Yamadori who has been courting her. She however feels bound to Pinkerton and refuses. Then the cannon in the harbor goes off. Butterfly recognizes Pinkerton's vessel. Full of hope, she decorates the room and waits in her bridal gown for her beloved.
Act III
Morning dawns. Butterfly has been waiting in vain all night. Finally she goes into the next room with the child in her arms to get a little rest. Pinkerton and Sharpless arrive. Suzuki finds out the whole story. Lamenting, she promises to prepare Butterfly for the worst. Full of remorse, Pinkerton goes running off. Awakened by the sound of the voices, Butterfly returns to the room: full of hope she looks for Pinkerton. Suddenly a strange woman appears. Butterfly discovers the truth from Sharpless. As if this weren't enough - they want her to turn over her child. All that remains for Butterfly is death.
English translation by Donald Arthur
© Bavarian State Opera
Premiere of Giacomo Puccini's "Madama Butterfly" on June 5, 1973 in the Nationaltheater
Biographies
Heike Grötzinger studierte Gesang an der Musikhochschule Köln. Von 1999 bis 2002 war sie Ensemblemitglied der Städtischen Bühnen Münster, von 2005 bis 2018 Mitglied im Ensemble der Bayerischen Staatsoper, wo sie zuvor schon 2002 im Ring des Nibelungen debütiert hatte. Zudem sang sie in diversen Produktionen von Richard Wagners Ring des Nibelungen, u. a. in Valencia, Nürnberg, Berlin, Aix-en-Provence und bei den Salzburger Festspielen. 2011 debütierte sie am Teatro alla Scala in Mailand als Zweite Dame (Die Zauberflöte). Zu ihrem Repertoire gehören Partien wie Marcellina (Le nozze di Figaro), Axinja (Lady Macbeth von Mzensk), Annina (Der Rosenkavalier), Martuccia (Die Gezeichneten) und Flora (La traviata). (Stand: 2019)
