Information
Japanese tragedy in three acts
Composer Giacomo Puccini · Libretto by Luigi Illica and Giuseppe Giacosa
In Italian with German surtitles
Thursday, 24. March 2011
07:30 pm – 10:25 pm
Nationaltheater
Duration est. 2 hours 55 minutes · 1 Interval between 1. Teil and 2. Teil (est. 08:30 pm - 09:00 pm )
Open ticket sales
Download Cast List (PDF) To List of PerformancesDates & Tickets
-
January 2018
-
Wednesday 24
Opera · 07:00 PM · Nationaltheater
Madama Butterfly
Prices I, € 100 / 88 / 73 / 56 / 40 / 25 / 12 / 9 -
Saturday 27
Opera · 07:00 PM · Nationaltheater
Madama Butterfly
Prices I, € 100 / 88 / 73 / 56 / 40 / 25 / 12 / 9 -
Tuesday 30
Opera · 07:00 PM · Nationaltheater
Madama Butterfly
Prices I, € 100 / 88 / 73 / 56 / 40 / 25 / 12 / 9
-
Cast
- Musikalische Leitung
- Paolo Carignani
- Inszenierung
- Wolf Busse
- Bühne
- Otto Stich
- Kostüme
- Silvia Strahammer
- Chor
- Stellario Fagone
- Cio-Cio-San
- Hui He
- Suzuki
- Okka von der Damerau
- B. F. Pinkerton
- Massimiliano Pisapia
- Kate Pinkerton
- Angela Brower
- Sharpless
- Michael Volle
- Goro Nakodo
- Kenneth Roberson
- Der Fürst Yamadori
- Christian Rieger
- Onkel Bonzo
- Christoph Stephinger
- Yakusidé
- Rüdiger Trebes
- Der Kaiserliche Kommissär
- John Chest
- Bayerisches Staatsorchester
- Chorus of the Bayerische Staatsoper
Media Centre
Learn more
The U.S. Forces show their presence world-wide: American Lieutenant Pinkerton has an affair in Nagasaki with Cio-Cio San, "Madame Butterfly". He sails away. She then has his child. Three years later he returns to Japan – accompanied by his American wife and wants to take the child with him. Butterfly commits suicide.
Act I
The U.S. naval officer Pinkerton, along with a marriage broker named Goro, comes to inspect a house near Nagasaki he has bought to live with the geisha Butterfly, whom he plans to marry according to Japanese law. This law however allows him to abandon his wife whenever he feels like it. He casually brushes off the warnings of the American Consul Sharpless, who has told him that Butterfly takes love and marriage very seriously. Before Butterfly appears, he drinks a toast "to a future marriage with a genuine American woman". Butterfly now appears with her friends, attended by members of her family. Hardly has the marriage ceremony ended when Butterfly's uncle arrives and curses the girl for having renounced the faith of her ancestors. Cast out by all the others, all Butterfly has left is her great love.
Act II
Three years have passed. After a brief period of happiness, Pinkerton has left Butterfly. She lives with her servant Suzuki, confidently waiting for her husband's return, although she has not received a single sign of life from him. The consul comes to visit Butterfly. He explains to her that Pinkerton will never return. He cannot bring himself to tell Butterfly that he has married an American woman. Then she triumphantly shows him Pinkerton's child. Sharpless leaves the house after advising her to marry the rich Yamadori who has been courting her. She however feels bound to Pinkerton and refuses. Then the cannon in the harbor goes off. Butterfly recognizes Pinkerton's vessel. Full of hope, she decorates the room and waits in her bridal gown for her beloved.
Act III
Morning dawns. Butterfly has been waiting in vain all night. Finally she goes into the next room with the child in her arms to get a little rest. Pinkerton and Sharpless arrive. Suzuki finds out the whole story. Lamenting, she promises to prepare Butterfly for the worst. Full of remorse, Pinkerton goes running off. Awakened by the sound of the voices, Butterfly returns to the room: full of hope she looks for Pinkerton. Suddenly a strange woman appears. Butterfly discovers the truth from Sharpless. As if this weren't enough - they want her to turn over her child. All that remains for Butterfly is death.
English translation by Donald Arthur
© Bavarian State Opera
Premiere of Giacomo Puccini's "Madama Butterfly" on June 5, 1973 in the Nationaltheater
Biographies
Paolo Carignani, geboren in Mailand, studierte am Konservatorium seiner Heimatstadt Komposition, Orgel, Klavier und Orchesterdirektion. Zudem nahm er an der International Conductor Masterclass in Hilversum teil. Seither dirigierte er u. a. an den Opernhäusern von New York, Toronto, Tokio, Brüssel, Barcelona, Paris, Wien, Berlin, London, Kopenhagen, Rom, Bologna, Neapel und Genua sowie bei den Bregenzer Festspielen, beim Glyndebourne Festival und beim Rossini Festival in Pesaro. Von 1999 bis 2008 war er Generalmusikdirektor an der Oper Frankfurt. Zuletzt leitete er etwa Macbeth am Théâtre Royal de La Monnaie in Brüssel und Otello an der Staatsoper Hamburg und am New National Theatre in Tokio. An der Bayerischen Staatsoper dirigierte er bisher u. a. La traviata, Macbeth und Nabucco. (Stand 2017)
