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Japanese tragedy in three acts - 1904

Composer Giacomo Puccini · Libretto by Luigi Illica and Giuseppe Giacosa
In Italian with English and German surtitles

Saturday, 19. January 2013
07:00 pm – 09:55 pm
Nationaltheater

Duration est. 2 hours 55 minutes · 1. Teil (est. 07:00 pm - 08:00 pm ) · Interval (est. 08:00 pm - 08:30 pm ) · 2. Teil (est. 08:30 pm - 09:55 pm )

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Cast

Musikalische Leitung
Manlio Benzi
Inszenierung
Wolf Busse
Bühne
Otto Stich
Kostüme
Silvia Strahammer

Cio-Cio-San
Hui He
Suzuki
Okka von der Damerau
B. F. Pinkerton
Arturo Chacón-Cruz
Kate Pinkerton
Angela Brower
Sharpless
Levente Molnár
Goro Nakodo
Gregory Bonfatti
Der Fürst Yamadori
Christian Rieger
Onkel Bonzo
Goran Jurić
Yakusidé
Rafal Pawnuk
Der Kaiserliche Kommissär
Andrea Borghini
  • Bayerisches Staatsorchester
  • Chorus of the Bayerische Staatsoper

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The U.S. Forces show their presence world-wide: American Lieutenant Pinkerton has an affair in Nagasaki with Cio-Cio San, "Madame Butterfly". He sails away. She then has his child. Three years later he returns to Japan – accompanied by his American wife and wants to take the child with him. Butterfly commits suicide.

 

Act I

The U.S. naval officer Pinkerton, along with a marriage broker named Goro, comes to inspect a house near Nagasaki he has bought to live with the geisha Butterfly, whom he plans to marry according to Japanese law. This law however allows him to abandon his wife whenever he feels like it. He casually brushes off the warnings of the American Consul Sharpless, who has told him that Butterfly takes love and marriage very seriously. Before Butterfly appears, he drinks a toast "to a future marriage with a genuine American woman". Butterfly now appears with her friends, attended by members of her family. Hardly has the marriage ceremony ended when Butterfly's uncle arrives and curses the girl for having renounced the faith of her ancestors. Cast out by all the others, all Butterfly has left is her great love.

Act II

Three years have passed. After a brief period of happiness, Pinkerton has left Butterfly. She lives with her servant Suzuki, confidently waiting for her husband's return, although she has not received a single sign of life from him. The consul comes to visit Butterfly. He explains to her that Pinkerton will never return. He cannot bring himself to tell Butterfly that he has married an American woman. Then she triumphantly shows him Pinkerton's child. Sharpless leaves the house after advising her to marry the rich Yamadori who has been courting her. She however feels bound to Pinkerton and refuses. Then the cannon in the harbor goes off. Butterfly recognizes Pinkerton's vessel. Full of hope, she decorates the room and waits in her bridal gown for her beloved.


Act III

Morning dawns. Butterfly has been waiting in vain all night. Finally she goes into the next room with the child in her arms to get a little rest. Pinkerton and Sharpless arrive. Suzuki finds out the whole story. Lamenting, she promises to prepare Butterfly for the worst. Full of remorse, Pinkerton goes running off. Awakened by the sound of the voices, Butterfly returns to the room: full of hope she looks for Pinkerton. Suddenly a strange woman appears. Butterfly discovers the truth from Sharpless. As if this weren't enough - they want her to turn over her child. All that remains for Butterfly is death.


English translation by Donald Arthur

© Bavarian State Opera

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Premiere of Giacomo Puccini's "Madama Butterfly" on June 5, 1973 in the Nationaltheater 

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Biographies

Hui He wurde in Xian/China geboren und studierte Gesang in Shanghai.

Nach Erfolgen bei mehreren internationalen Gesangswettbewerben, darunter Plácido Domingos Operalia-Wettbewerb 2000 in Los Angeles und der Concorso Voci Verdiane 2002, führte sie ihre Karriere an die bedeutenden internationalen Opernhäuser, u.a. Wien, Mailand, Rom, Paris, Mailand, London, New York, Hamburg, Berlin sowie die Arena di Verona. Ihr Repertoire umfasst die großen Sopranpartien Verdis und Puccinis wie die Titelpartien in Tosca, Manon Lescaut und Aida, Amelia (Un ballo in maschera), Liù (Turandot), Mimì (La bohème), Leonore (Il trovatore) und Elisabetta (Don Carlo). Außerdem sang sie 2011 die Partie der Soong Ching-Ling in Huang Ruos Dr. Sun Yat-sen in Peking und Hong Kong. Partie an der Bayerischen Staatsoper 2015/16: Cio-Cio-San (Madama Butterfly).

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