Japanese tragedy in three acts
Composer Giacomo Puccini · Libretto by Luigi Illica and Giuseppe Giacosa
In Italian with German surtitles
Thursday, 19. June 2014
07:00 pm – 09:55 pm
Duration est. 2 hours 55 minutes · 1 Interval between 1. Teil and 2. Teil (est. 08:00 pm - 08:30 pm )
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Dates & Tickets
Opera · 07:30 PM · Nationaltheater
Madama ButterflyPrices K, € - /- /- /- /- /- /- /10
Opera · 07:30 PM · Nationaltheater
Madama ButterflyPrices I, € - /88 /- /- /- /- /12 /9
Opera · 07:00 PM · Nationaltheater
Madama ButterflyPrices K, € - /- /- /- /- /- /14 /10
- Musikalische Leitung
- Daniele Rustioni
- Wolf Busse
- Otto Stich
- Silvia Strahammer
- Stellario Fagone
- Ana María Martínez
- Okka von der Damerau
- B. F. Pinkerton
- Joseph Calleja
- Kate Pinkerton
- Rachael Wilson
- Markus Eiche
- Goro Nakodo
- Alexander Kaimbacher
- Der Fürst Yamadori
- Francesco Petrozzi
- Onkel Bonzo
- Goran Jurić
- Leonard Bernad
- Der Kaiserliche Kommissär
- Rafal Pawnuk
- Bayerisches Staatsorchester
- Chorus of the Bayerische Staatsoper
Media CentreTo List of Performances
The U.S. Forces show their presence world-wide: American Lieutenant Pinkerton has an affair in Nagasaki with Cio-Cio San, "Madame Butterfly". He sails away. She then has his child. Three years later he returns to Japan – accompanied by his American wife and wants to take the child with him. Butterfly commits suicide.
The U.S. naval officer Pinkerton, along with a marriage broker named Goro, comes to inspect a house near Nagasaki he has bought to live with the geisha Butterfly, whom he plans to marry according to Japanese law. This law however allows him to abandon his wife whenever he feels like it. He casually brushes off the warnings of the American Consul Sharpless, who has told him that Butterfly takes love and marriage very seriously. Before Butterfly appears, he drinks a toast "to a future marriage with a genuine American woman". Butterfly now appears with her friends, attended by members of her family. Hardly has the marriage ceremony ended when Butterfly's uncle arrives and curses the girl for having renounced the faith of her ancestors. Cast out by all the others, all Butterfly has left is her great love.
Three years have passed. After a brief period of happiness, Pinkerton has left Butterfly. She lives with her servant Suzuki, confidently waiting for her husband's return, although she has not received a single sign of life from him. The consul comes to visit Butterfly. He explains to her that Pinkerton will never return. He cannot bring himself to tell Butterfly that he has married an American woman. Then she triumphantly shows him Pinkerton's child. Sharpless leaves the house after advising her to marry the rich Yamadori who has been courting her. She however feels bound to Pinkerton and refuses. Then the cannon in the harbor goes off. Butterfly recognizes Pinkerton's vessel. Full of hope, she decorates the room and waits in her bridal gown for her beloved.
Morning dawns. Butterfly has been waiting in vain all night. Finally she goes into the next room with the child in her arms to get a little rest. Pinkerton and Sharpless arrive. Suzuki finds out the whole story. Lamenting, she promises to prepare Butterfly for the worst. Full of remorse, Pinkerton goes running off. Awakened by the sound of the voices, Butterfly returns to the room: full of hope she looks for Pinkerton. Suddenly a strange woman appears. Butterfly discovers the truth from Sharpless. As if this weren't enough - they want her to turn over her child. All that remains for Butterfly is death.
English translation by Donald Arthur
© Bavarian State Opera
Premiere of Giacomo Puccini's "Madama Butterfly" on June 5, 1973 in the Nationaltheater
Daniele Rustioni studierte in Mailand Orgel, Komposition und Klavier sowie Dirigieren bei Gilberto Serembe. Anschließend setzte er sein Studium in Siena und an der Royal Academy of Music in London fort.
2007 debütierte er mit dem Orchester des Teatro Regio di Torino, 2011 mit Aida am Royal Opera House Covent Garden in London, 2012 mit La bohème am Teatro alla Scala in Mailand. Dort dirigierte er anschließend auch Un ballo in maschera und Il trovatore. Gastengagements führten ihn u.a. ans La Fenice in Venedig, zum Maggio Musicale Fiorentino, zum Rossini Opera Festival, an die Welsh National Opera, an die Staatsoper Unter den Linden in Berlin, an die Opéra National de Paris und ans Staatstheater Stuttgart. Von 2012 bis 2014 war er musikalischer Direktor des Teatro Petruzzelli in Bari. Zur Zeit ist er Chefdirigent des Orchestra della Toscana. Dirigat an der Bayerischen Staatsoper 2015/16: Rigoletto.