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Japanese tragedy in three acts - 1904

Composer Giacomo Puccini · Libretto by Luigi Illica and Giuseppe Giacosa
In Italian with English and German surtitles

Saturday, 19. September 2015
07:00 pm – 09:55 pm
Nationaltheater

Duration est. 2 hours 55 minutes · 1. Teil (est. 07:00 pm - 08:00 pm ) · Interval (est. 08:00 pm - 08:30 pm ) · 2. Teil (est. 08:30 pm - 09:55 pm )

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Cast

Conductor
Keri-Lynn Wilson
Production
Wolf Busse
Set Design
Otto Stich
Costume Design
Silvia Strahammer
Choruses
Stellario Fagone

Cio-Cio-San
Hui He
Suzuki
Okka von der Damerau
B. F. Pinkerton
Joseph Calleja
Kate Pinkerton
Marzia Marzo
Sharpless
Levente Molnár
Goro Nakodo
Ulrich Reß
Der Fürst Yamadori
Andrea Borghini
Onkel Bonzo
Peter Lobert
Yakusidé
Igor Tsarkov
Der Kaiserliche Kommissär
John Carpenter
  • Bayerisches Staatsorchester
  • Chorus of the Bayerische Staatsoper

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The U.S. Forces show their presence world-wide: American Lieutenant Pinkerton has an affair in Nagasaki with Cio-Cio San, "Madame Butterfly". He sails away. She then has his child. Three years later he returns to Japan – accompanied by his American wife and wants to take the child with him. Butterfly commits suicide.

 

Act I

The U.S. naval officer Pinkerton, along with a marriage broker named Goro, comes to inspect a house near Nagasaki he has bought to live with the geisha Butterfly, whom he plans to marry according to Japanese law. This law however allows him to abandon his wife whenever he feels like it. He casually brushes off the warnings of the American Consul Sharpless, who has told him that Butterfly takes love and marriage very seriously. Before Butterfly appears, he drinks a toast "to a future marriage with a genuine American woman". Butterfly now appears with her friends, attended by members of her family. Hardly has the marriage ceremony ended when Butterfly's uncle arrives and curses the girl for having renounced the faith of her ancestors. Cast out by all the others, all Butterfly has left is her great love.

Act II

Three years have passed. After a brief period of happiness, Pinkerton has left Butterfly. She lives with her servant Suzuki, confidently waiting for her husband's return, although she has not received a single sign of life from him. The consul comes to visit Butterfly. He explains to her that Pinkerton will never return. He cannot bring himself to tell Butterfly that he has married an American woman. Then she triumphantly shows him Pinkerton's child. Sharpless leaves the house after advising her to marry the rich Yamadori who has been courting her. She however feels bound to Pinkerton and refuses. Then the cannon in the harbor goes off. Butterfly recognizes Pinkerton's vessel. Full of hope, she decorates the room and waits in her bridal gown for her beloved.


Act III

Morning dawns. Butterfly has been waiting in vain all night. Finally she goes into the next room with the child in her arms to get a little rest. Pinkerton and Sharpless arrive. Suzuki finds out the whole story. Lamenting, she promises to prepare Butterfly for the worst. Full of remorse, Pinkerton goes running off. Awakened by the sound of the voices, Butterfly returns to the room: full of hope she looks for Pinkerton. Suddenly a strange woman appears. Butterfly discovers the truth from Sharpless. As if this weren't enough - they want her to turn over her child. All that remains for Butterfly is death.


English translation by Donald Arthur

© Bavarian State Opera

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Premiere of Giacomo Puccini's "Madama Butterfly" on June 5, 1973 in the Nationaltheater 

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Biographies

Keri-Lynn Wilson studierte u. a. Dirigieren und Flöte an der Juilliard School of Music in New York. Während ihres Studiums arbeitete sie als Assistentin von Claudio Abbado bei den Salzburger Festspielen, anschließend wurde sie beim Dallas Symphony Orchestra engagiert. Seit 1998 ist sie international an Opern- und Konzerthäusern tätig. Wichtige Dirigate waren zuletzt u. a. Carmen am Royal Opera House Covent Garden in London, Tosca, Madama Butterfly und La traviata an der Wiener Staatsoper, Lady Macbeth von Mzensk am Opernhaus Zürich, Don Carlo, Iolanta, Manon Lescaut und La Bohème am Bolshoi Theatre in Moskau sowie La Fanciulla del West und Aida an der English National Opera. Außerdem konzertierte sie mit Orchestern wie der San Francisco Symphony, dem Los Angeles Philharmonic und dem Symphonieorchester des Bayerischen Rundfunks. (Stand: 2021)

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