Information

Adagio Hammerklavier / Cambio d’Abito / Violakonzert / II

Saturday, 12. April 2008
07:30 pm – 09:50 pm
Nationaltheater

Duration est. 2 hours 20 minutes · Cambio d'abito (est. 07:30 pm - 08:00 pm ) · 1. Pause (est. 08:00 pm - 08:25 pm ) · Adagio Hammerklavier (est. 08:25 pm - 08:55 pm ) · 2. Pause (est. 08:55 pm - 09:20 pm ) · Violakonzert (est. 09:20 pm - 09:50 pm )

Prices G

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Cast

Adagio Hammerklavier

Choreographie
Hans van Manen
Einstudierung
Mea Venema
Bühne und Kostüme
Jean Paul Vroom
Licht
Jan Hofstra

1. Pas de deux - Dame
Séverine Ferrolier
1. Pas de deux - Herr
Tigran Mikayelyan
2. Pas de deux - Dame
Roberta Fernandes
2. Pas de deux - Herr
Lukáš Slavický
3. Pas de deux - Dame
Lucia Lacarra
3. Pas de deux - Herr
Cyril Pierre

Cambio d’Abito

Choreographie
Simone Sandroni
Raum, Kostüm und Lichtobjekte
rosalie
Licht
Christian Kass

Tänzerin I
Valentina Divina
Tänzerin II
Silvia Confalonieri
Tänzerin III
Emma Barrowman
Tänzerin V
Wunsze Chan
Tänzerin VI
Stephanie Hancox
Tänzerin VII
Isabelle Pollet-Villard
Tänzer I
Norbert Graf
Tänzer II
Wlademir Faccioni
Tänzer III
Vittorio Alberton
Tänzer IV
Andrea Bena
Tänzer V
Filip Janda
Tänzer VI
Ilia Sarkisov

Violakonzert / II

Musikalische Leitung
Robertas Šervenikas
Choreographie
Martin Schläpfer
Raum, Kostüm und Lichtobjekte
rosalie
Licht
Christian Kass

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Biographies

Born in 1932, the Dutch Hans van Manen discovered his talent and love for choreography in early ages. In 1960, he was one of the founding members of the Nederlands Dans Theater, for which he – in addition to the Dutch National Ballet in Amsterdam – still creates choreographies. Everyday gestures mingle with his movement vocabulary, which is precisely composed to the music as well as influenced by both classical and modern dance.

His productions are ballets for strong personalities, in which women and men have equal rights. Van Manen presents their (erotic) relationships in a very clear language. Nevertheless, his topics are abstract: "Dance represents dance", says van Manen; One looks in vain for stories in his pieces, but the never do the structures outplay the human being. In the lucid group performances, perfect form is revealed - it is not without reason that George Balanchine is one of his role models.

Hans van Manen was one of the first choreographers ever to work with new media, and the result - the piece Live from 1979 - sets standards till today. In the repertoire of the Bayerisches Staatsballett - as in many great companies worldwide – one can find several of his masterpieces, but also, and this is rare, a creation choreographed especially for the Munich company: the duet Nacht.

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