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Ballet in three parts (1967) - Choreography by George Balanchine © The George Balanchine Trust

Choreography George Balanchine · Composer Gabriel Fauré / Igor Strawinsky / Peter I. Tschaikowsky

Saturday, 21. March 2020
07:30 pm – 10:00 pm
*

Duration est. 2 hours 30 minutes

#BSBjewels

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This video-on-demand is available free of charge on STAATSOPER.TV from Sat, 21 March 2020, 7.30 pm to 22 March 2020,11.59 pm.


Musikalische Leitung Robert Reimer

EMERALDS
Musik Gabriel Fauré
Einstudierung Ben Huys
1. Solo-Paar
Prisca Zeisel, Emilio Pavan
2. Solo-Paar Jeanette Kakareka, Henry Grey
Pas de trois Antonia McAuley, Vera Segova, Dmitrii Vyskubenko
Tänzerinnen Sinéad Bunn, Polina Bualova, Madeleine Dowdney, Margarita GrechanaiaEvgeniya Victory Gonzalez, Isabella Knights, Ziyue Liu, Arianna MaldiniElisa Mestres, Kyla Moore

RUBIES
Musik Igor Strawinsky
Einstudierung Patricia Neary
Pianist Dmitry Mayboroda
Solo-Paar Ashley Bouder, Osiel Gouneo
Solistin Prisca Zeisel
Tänzerinnen Carollina de Souza BastosSinéad Bunn, Marina Duarte, Margarita GrechanaiaArianna MaldiniAntonia McAuleyElisa Mestres, Kyla MooreVera Segova
Tänzer Ariel Merkuri, Sava Milojević, Sergio Navarro, Jan Špunda

DIAMONDS
Musik Peter I. Tschaikowsky
Einstudierung Elyse Borne
Solo-Paar Alina Somova, Vladimir Shklyarov
Solistinnen Margarita Grechanaia, Elvina IbraimovaJeanette Kakareka, Antonia McAuley
Solisten Vladislav DolgikhHenry GreySergio Navarro, Dmitrii Vyskubenko
Tänzerinnen Polina BualovaCarollina de Souza BastosSinéad BunnMadeleine DowdneyMarina Duarte, Evgeniya Victory Gonzalez, Blanda PaldiIsabella Knights, Ziyue LiuArianna MaldiniAntonia McAuleyElisa Mestres, Kyla Moore , Vera Segova
Tänzer Matteo Dilaghi, Alexey Dobikov, Konstantin Ivkin, Dustin KleinEvgenii Kuznetsov, Stefano MaggioloAriel Merkuri, Sava Milojević, Dukin SeoJan Špunda, Robin Strona, Giovanni Tombacco

Soloists and corps de ballet of the Bavarian State Ballet

Bayerisches Staatsorchester


The performance of Jewels, a Balanchine ® Ballet, is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style ® and Balanchine Technique ® standards establisehd and provided by the Trust.

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George Balanchine is the father of numerous visionary, neoclassical choreographies, which he created for the New York City Ballet. Balanchine, who had founded the NYCB in the mid-20th century, was at the helm of this innovative company until his death in 1983. Till today his works are brought to stages all over the world. Characteristic for Jewels – a full-length ballet from 1967 – is the fact, that is has no story but puts all the focus on the pure dance alone. Rumour has it that Balanchine drew his inspiration from a jeweller’s display on New York’s Fifth Avenue. So each part of the trilogy is named after a jewel, and each comes in a different style, atmosphere, color and shape - true ballet jewels. On top each piece has its own music. Emeralds opens with lyrical music of Gabriel Fauré, characterized by light lifts, playful arms and noble arrangements. Therewith, Balanchine draws a dreamy world of classical ballet. In contrary to that, Rubies represents a contemporary panorama underscored by Igor Stravinsky’s jazzy Capriccio for Piano and Orchestra. The sharpness of the music runs parallel to the dynamic choreography – characterized by speed and precision, high legs and quick turns. Rubies is a winky and flirty play full of strength, in which Balanchine’s knowledge of the Broadway business and show business as such shine through, as does the atmosphere of the wild New York he was living in. The third piece, Diamonds, with music of Peter I. Tchaikovsky’s Third Symphony, is dedicated to the great ballet classics of the Russian tsarist era, which Balanchine knew from his childhood days. Opulence and pomp frame the ballet dancers during a masterpiece marked by solo parts, formations and structures on a high level of technique. Beautiful shapes, elegance, gracefulness and glamour complete the evening.

Igor Zelensky, who used to be frequent guest with the New York City Ballet when he was still an active dancer, has kept a strong connection to Balanchine’s aesthetics. With Jewels he now brings a piece to the stage of the Bayerisches Staatsballett that to this day has maintained the sparkle it had at its world premiere some 50 years ago.

 

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