LIGETIS JUKE-BOX
It is striking that Ligeti used car horns and doorbells as instruments, while his works include titles such as Nonsense Madrigals and Hungarian Rock. Few composers have revealed such a pronounced sense of humour as Ligeti. He began his career by following in the footsteps of his Hungarian compatriot Béla Bartók, while exploring Hungarian folk music, before fleeing to Vienna and becoming a celebrated exponent of contemporary music. He experimented with electronic sounds, expanded the range of forms of vocal articulation and composed the iridescent musical sounds that Stanley Kubrick made famous in his film 2001: A Space Odyssey. As a composer he was inspired by a sense of mischief, while looking like an anti-bourgeois rebel who even today continues to surprise us with his unorthodox ideas. In the run-up to the Festival premiere of Ligeti’s Le Grand Macabre, which he called an “anti-anti-opera”, Ligeti’s Jukebox will provide a framing programme that will be as eclectic as his own output as a composer, allowing audiences to get to know one of the most unusual composers of the twentieth century.