Leo Kulaš

Leo hails from Metković, Croatia. He studied at the Academy of Fine Arts in Belgrade and created his first costumes in 1983. He has since designed costumes for over 200 plays, ballets, operas, films and television programmes. He has worked with many renowned directors, including Tomaž Pandur, Eduard Miler, Ernst M. Binder, Roberto Ciulli, Paolo Magelli, François Michel Pesanti and Diego de Brea. Decades of close collaboration with Edward Clug have resulted in costume designs for productions such as Les noces (Royal Ballet of Flanders, 2013), Le Sacre du printemps (Ballet Zurich, 2016), Hora (Ballett Dortmund, 2017), Proof (Nederlands Dans Theater 1, 2017), Peer Gynt (Vienna State Ballet, 2018), Faust (Ballet Zurich, 2018), Patterns in ¾ (Stuttgart Ballet, 2019), Мастер и Маргарита (Bolshoi Theatre Moscow, 2021), Coppélia (Theater Basel 2023), A Midsummer Night's Dream (Berlin State Ballet, 2025) and Castor et Pollux (Grand Théâtre de Genève, 2026).

(Information as of March 2026)